karen chalamilla

a writer-researcher based in Dar-es-Salaam, Tanzania.

The guardians of ukungwi—a practice that educates girls and women on sex, homemaking and marriage—are reimagining their approach to this East African tradition. Today, they face a dilemma: the risk of losing the cultural essence of ukungwi while seeking to monetize it for sustainability

In Conversation with Somali writer Salma Ibrahim on her
debut novel “Salutation Road”

More than two decades after its release, Tanzanian music artist Lady Jaydee’s debut album still resonates- offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

Tanzanian visual artist and curator Gadi Ramadhani’s month-long exhibition at the Alliance Française in Dar es Salaam, My Father’s Widow, is a meditation on death’s aftermath.

Minna Salami on inventing a new feminist language to explore what it means to do feminism as Africans, in Africa.
Visual artists Tibeb Sirak and Birhanu Manaye explore patterns in nature, personal and African communal rituals, and their capacity to be comforting, uplifting or ensaring when we feel bound to them.
Owing to stifled freedom of speech coupled with minimal structural support, Tanzanian music artists are finding themselves without any political space beyond praising the ruling government.
For decades, families in Tanzania have been demanding the return of their ancestors’ human remains from Germany. These ancestors, executed leaders of resistance efforts against German colonial rule, were exhumed from their graves and taken to Germany. Cece Mlay discusses co-producing a new documentary on how their descendants are seeking justice and closure today.
Abdulrazak Gurnah, the Zanzibari-born 2021 Nobel Literature laureate’s grand homecoming was punctuated by the translation of his masterpiece, Paradise, into Kiswahili. His publisher, Mkuki Bgoya, speaks about its significance in the Swahili canon.

“There’s a lot of Tanzania’s history and culture that cannot be depicted through realism, like our true emotions about our history and culture. If you are only painting things that you can see, you miss out on a lot of our culture that can’t be physically seen” – Sabi John Kitaule

In HEIS, the rave lord invites us back into the world he built at his O2 show. With a wilder, more imposing production, Rema stakes his claim in the world of afrobeats, “No more big three, there’s now a big four,” he announces.
In 2024 Tanzania debuted at the 60th edition of the Venice Biennale with an Eric Bittoto curated pavilion, a great feat that raised a few questions.
It’s Shaé’s Universe and it’s full of love! In 2024, the UK R&B artist released her debut album Love’s Letter on Valentine’s Day- an earnest choice in cynical times.
Josephine Karianjahi and Melissa Mbugua discuss with Karen Chalamilla what she has learnt from the literature on African Podcasting, her avid interest in pop culture and its connection to our political identities.
Scroll to Top